Where it goes
You know which category a note belongs to. How it relates to the one before it, or what's missing in between, isn't a folder's job.
A book that keeps growing
Lecture handouts, whiteboard photos, meeting recordings: just keep adding material on the same subject. No sorting, no linking. Kairn picks up where it left off, and over time you hold a book you can read from start to finish, not dozens of disconnected notes.
Every time you add something, another stone goes on.
Contents · Chapter 2
Why a book
Every note felt useful when you took it, yet when you need it you can't find it: one note stops halfway, the rest turns up a week later, with other classes in between. Flip the switch to see the same material written as a book.
A month of notes, in date order.
The same content, as a book.
How it's different
With a handful of notes, folders and graphs work fine. With many, they don't: they can tell you which two notes are related, but not what they add up to or where to start.
You know which category a note belongs to. How it relates to the one before it, or what's missing in between, isn't a folder's job.
You know two notes are connected. But which to read first, and what's still missing, no number of lines can tell you.
A table of contents and an order. Read from the first page to the last, and the missing link is filled in for you.
How it grows
Not a log that gets messier as it grows. Each time you add material the book gets a little thicker, and it still reads straight through from chapter one.
A semester of photography class, with material added after each lesson.
Photography Basics · Contents
Purpose
The same material written as a beginner's guide and as a quick reference makes two different books. You set the purpose in a sentence; here are four common ones. Pull one off the shelf.
Tap a book to pull it out.
Explanations build step by step, with more examples, and never skip a step you may not have learned yet.
For example: before aperture, first make clear what "how much light gets in" means.
Lists and tables, definitions next to usage, no long arguments.
For example: one table of common scenes, with the aperture, shutter and ISO for each, one scene per row.
The key points, how they fit together, and the things that are easy to mix up.
For example: aperture, shutter and ISO side by side, so you see at a glance what each one controls and what it costs.
Where each idea comes from and why it matters, without piling on detail.
For example: before next week's portrait class, know what problems it solves and where beginners usually slip.
Ask it
Every citation carries its place in the book: which book, which chapter, which section. Tap it and that page opens alongside.
If it isn't in your books, it says so instead of guessing.
Photography Basics › Chapter 2 The Exposure Triangle › 2.2
Depth of field is the range of distance in a photo that looks sharp. The wider the aperture (the smaller the number after the f), the shallower the depth of field, and things blur quickly in front of and behind the point of focus.
| Aperture | Depth of field | Good for |
|---|---|---|
| f/1.8 | Very shallow | Portraits, close-ups |
| f/5.6 | Moderate | Street, group photos |
| f/11 | Very deep | Landscapes, architecture |
The closer you are and the longer the focal length, the shallower the depth of field as well (see 5.1 Focal length and distance).
Pricing
Every plan lets you add material, write it into books, and get answers that cite a specific section. The plans differ in how many books you can make, how much material you can process each month, and who writes the book.
See if it fits
A few subjects you keep building on
$44 billed yearly, one month free
Many subjects, dense material, and your own standards for how the book is written
$132 billed yearly, one month free
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